So keen were the heroes on our sound team at Technicolor, Hollywood, to match the scale and scope of our story, that they sometimes exceeded the 140 channels available on the mixing desk.
That’s going for it on the sound front. That’s getting medieval on the sound’s a$$.
You won’t hear all this detailed glory on TV. You’ll have to wait for the Blu-Ray. Trust me, it’s worth it!
Thanks meanwhile to the Post Producer Alex Shevchenko and the following Knights of Sound:
Supervising Sound Editor
Edmond J Coblentz
Re-Recording Mixers
Adam Sawelson
Kurt Kassulke
Stage Mix Tech
Mat Duncan
Dialogue Editor
Steve Stuhr
Effects Editor / Designer
Paul Diller
Jonathan Golodner
Asst Sound Editors
Nick Papalia
Jonathan Corona
Nathan Hankins
